“The Bible, more than most books, forms part of one’s life once it is absorbed into the system. It does not remain static, any more than you remain ever the same. Your perspective of it will change with the years.”—A.N. Wilson, The Book of the People
I cannot remember a time in my reading life when a Bible was not within my reach, both literally and figuratively. In the home I grew up in, the Scripture was the primary source of one’s instruction and inspiration. It was read aloud morning and evening, discussed at church, memorized as Bible verses, emblazoned on bulletin boards at school, and called upon in times of celebration and grief. Its phrases came naturally to the lips, its stories became the video of our imaginations long before there were pixels, the grand highway of its narrative from Genesis to Revelation (pitted with potholes in the Pentateuch) provided both a spiritual history of humankind and a kind of eschatological weather report (“Look for a cloud on the horizon the size of a man’s hand!”). Later, through the ministrations of our well-meaning elders, its revelations came to us like birthday gifts from distant uncles who still thought of us as five-year olds. It was unavoidable and indispensable.
But I find I can trace out the course of my life by looking at the Bibles on my bookshelves, each one having played a role in my life that was both episodic and cumulative.
In high school my Bibles of choice were the Living Bible and Good News for Modern Man: The New Testament in Today’s English. The Living Bible was a paperback brick, lovingly slipped into a doeskin cover that my grandfather had gotten for me in Canada, with a painting of an Indian brave on the front. Inside the end pages I wrote notes of favorite verses, quotes from religious authors, and lines of poetry. The LB was fresh, a bit cheeky, conversational without falling into cultural jargon. TheGood News New Testament was plain, small enough to carry in one hand, and modest in its literary aspirations. Its line drawings were simple, evocative, and good-humored. I was also reading a lot of C. S. Lewis at the time, along with Lord of the Rings, The Hobbit, Byron, Shelley, Yeats, and Matthew Arnold. It was a heady mix.
My first year in college, working on a double major in religion and journalism, I used a standard issue King James in my religion classes. I’d had it since my baptism at 12 and I knew my way around its paths by sight. These were the phrases and verses I had heard all my life. They seeped into my consciousness and became the language of my operating system, an eloquent counterpoint to the informality of the modern versions.
In the summer of 1971 I left California for England to work with friends in Coventry in starting and running a Christian folk club and then to spend the school year at Newbold College. Away from home for the first time, I spent the year in a constant state of wonder and discovery. That summer I bought my first New English Bible, a paperback Penguin version of the New Testament whose language and verses seemed like poetry to me. I found a tanner’s shop in Leamington Spa and made a book cover for it from suede leather, stitching a peace symbol with a cross in the center on the front. The cover art on the Penguin version was a reproduction of Georges Rouault’s Head of Christ, thus beginning a lifelong admiration for his art. In the fall, as a student at Newbold, I hitchhiked down to Reading and bought J. B. Phillip’s The New Testament in Modern English. I also started a year-long course in Koine Greek. I was terrible at it, but I scraped by with enough margin to be given a copy of the British and Foreign Bible Society’s Greek New Testament with critical apparatus. Burrowing into the permutations of Greek verbs and nouns reinforced my life-long fascination with word origins and their meanings.
That year I always carried in my backpack at least one Bible, usually two. As I hitchhiked to Scotland or down to Wales or up to London, these Bibles became my traveling companions, provoking comment and conversation from the generous people who gave me rides. Comparing these translations and paraphrases jolted my imagination and gave me different lines of sight to their meaning. And always I carried a small Authorized Version whose cover could be zipped closed. I left it behind in a train station in Milan one December; two years later it showed up in my mailbox at Pacific Union College, having made the journey through the kindness of strangers on the strength of my college address at Newbold.
All through graduate studies at Andrews University and Claremont Graduate University, my familiars were the New English Bible I had bought in Wales in 1974 when I worked in evangelism there, and The Jerusalem Bible, another chunk of a Bible whose lyrical Psalms were refreshing and whose Job was high tragedy. Later, teaching Jesus and the Gospels, Hebrew Prophets, and Paul and His Letters at Columbia Union College, I entered into a professional relationship with The New International Version. Those who knew their biblical languages assured me it was the latest and most accurate rendering, but its starched and anemic language gave me no joy. Time and again I went back to my NEB, by now so annotated and stuffed with typed-out quotes and photos of friends, that when the spine finally collapsed my wife made me a book cover for it from the jeans I wore out hitchhiking through the UK.
In these later years I have come back to the New Revised Standard Version, not to be confused with the Revised English Bible, a second take on the NEB. As I write there is one just behind my shoulder on the bookshelf, another one next to my comfy chair across the loft, and a third one, barely marked, in another bookshelf. Recently, having finished my courses for the semester at Trinity Washington University, I stopped into the Saint John Paul II National Shrine, right across the street from Catholic University, and indulged myself in a beautifully leather-bound Catholic edition of the Revised Standard Version with the Apocrypha. I intend to study the Apocrypha this summer.
I’ve entered the Bible as into a vast and varied library — ta biblia, the books. Not a single, coherent narrative, but stories of wonder, beginning in a garden of light and ending in a city with a river running through it. To try to understand the people within the stories is to read with a dual vision: that in certain irreducible ways they and we come from the same stock and harbor the same emotions and motivations. And in other ways, bound by time, culture, language, and technology, we arrive at our final home having traveled such disparate paths. I am grateful to the archeologists, linguists, anthropologists, and theologians who have peeled back the layers of the Bible for us and interpreted its structures.
The Bible has meant different things to me through many different stages of life. It has both revealed and hidden God, and it has held a mirror up to myself. The Jesus I have found there is no less enigmatically divine than when I first began with the Gospels, but now even more touchingly human. The Bible, I’ve found, is large enough that it can play many roles in a person’s life. Like the Earth itself it presents a different but constant face to the observer hovering in orbit above it. It is guide, wisdom, puzzle, danger, mystery, and light. It is still the literary foundation of many of us.
The Bible creates an alternate world that runs parallel to our own. It is like holding two magnets in tension so that you feel the pull of one to the other. Let one go and the tension is gone, the case closed, the story resolved, the horizon suddenly walled up. Unless we see both the fragments of light it illumines around us and the Light itself — and the distinction makes all the difference — the Bible remains just another revered bestseller.
Barry Casey taught religion, philosophy, and communications for 28 years at Columbia Union College, now Washington Adventist University, and business communication at Stevenson University for 7 years. He continues as adjunct professor in ethics and philosophy at Trinity Washington University, D.C. More of the author’s writing can be found on his blog, Dante’s Woods.
Image Credit: Rafael Barquer / Unsplash.com
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